Monday, September 30, 2013


These are the first four pages of my essay that covers a huge part of my life, my great grandmother.





If I Take Care of You, Will You Take Care of Me?

As I sit in the bathroom, I immediately picture Gram sitting on the ledge of the bathtub across from me fourteen years ago. For some reason, Gram felt that both my sister and I needed her moral support when making causal trips to the restroom. It is quite funny how that was where most of our catching up was. I would tell her about the girl in class who stole my pink scissors, and she would continue to tell me stories about her brother Vito, or her olive trees in Italy. She even let me sing to her. I always thought I was destined to become a future pop star; my voice echoing in the bathroom justified my dreams. Well, so did Gram, she loved when I sang to her, even if I was singing about my crust less PB&J sandwich I had for lunch that day. Everything that came out of my mouth was valuable to her.

Although Gram is my great-grandmother, no one ever knew the difference. Since my mother’s mom passed away when Mom was just eighteen, Gram took on the role of raising my mother, and helping my mother raise both my sisters and I. Gram lived with my family and I since the day I was born, even longer than that; I never knew what it was like to have a “teenager” as a babysitter. I didn’t care though, and neither did Karly, my baby sister. Since we always had someone home to take care of us, “play-dates” were always at our house. Both Karly and my friends formed a special bond with Gram. Whether they were forced to eat her home cooked meals or listen to her almost unbelievable stories about Italy, everyone always seemed interested in what Gram had to say. Gram did everything for us. Italian home cooked meals prepared at the same time every day, answers to my endless questions, and a shoulder to lean on. The only thing she ever asked us for was right before bed, which for her, was at 7:30 P.M.  Karly and I went into Gram’s room together every night, kissed her forehead, and handed her three grapes, green or purple, she didn’t care. The nights we would forget she would ask, “Mama belles, can you please bring me a couple grapes, my mouth is very, very dry.” We usually always remembered though, always three grapes, if we brought her two she thought we were being cheap. Those grapes at night was the only time Gram needed me, or anyone else.  I knew she was old, but she was Gram, Superwoman, unstoppable, four feet and eleven inches of full Italian blood…. just Gram.
 

After eight years, the occasional bathroom hang outs began to fade.  Gram was ninety three now, struggling with Alzheimer’s.  You know, she sometimes would forget things we had told her, or where she hid her money. Luckily, her inner Italian habits always lead her to finding her money under her mattress. Most of the time, her mind was basically there. She started moving slower, taking an extra forty five seconds to come up the back stairs. We didn’t use the front door; Gram taught us that “Back door guests are best.” Her voice weakened in volume, which was not necessarily a bad thing.  Having an Italian mother and great grandmother to talk over was always a struggle for me, now I stood a chance. Her eyes grew more tired as the days went on, along with her olive skin. Four feet nine inches now, she was still going strong. Homemade meals prepared three times a day, sometimes a repeat in meals throughout the week. Eggplant Parmesan on a Monday and Wednesday night, who can complain about that? The meals took longer though, I knew she needed my help. Although she never asked, I told her I wanted to learn for myself. Soon, I became Gram’s little assistant in the kitchen.

 

“Hello Richard!”Gram said to me as I walked in from basketball practice. Turning around seeing that Richard was directed towards me, Kristen, I knew Gram was beginning to feel her age. “Hi Gram.” I replied to her, finding it somewhat humorous that she called me Richard, and feeling too sad to embarrass her with my correction. Smelling another one of her meals, I opened the oven to see what Gram had made for that night. A large oven stuffer, chicken, peas, potatoes, and…. Chex Mix? I thought about it and knew that Chex Mix was never included in grams famous oven stuffer. Asking her the reason behind her new special ingredient did come across my mind, but I knew she didn’t know the answer to it; one of the first times I realized that she could not answer something I asked. The meals began to suffer, her soup’s salt was too high and her meat too bloody to consume. Not knowing any better, Gram went about her business, needing the occasional lift from the couch, or a hand to hold as she walked down the stairs.  Her three grapes at night turned into, three grapes, five pills, and some lotion for her dry skin. Nothing major though, she still was unstoppable to me.

 
                  When I came home from basketball a few weeks later, my mother was in the kitchen. “What are you doing,” I asked her, not realizing that it was obvious she was making dinner.
“Making dinner hun.” Mom replied to me as a look of sadness brushed her face. I knew my mom could cook, but Gram always cooked, it is what she looked forward to each day. Being her kitchen assistant, it was something I looked forward to as well. Mom cooking dinner became more common than usual, trying her best to live up to Gram’s meals. She did everything the same as Gram but… it just wasn’t the same. Gram sat off in the corner, being too old to maneuver a cheese grater. Grams body was there, but her mind wasn’t. I looked at her and saw frustration. Frustrated about herself, her condition she was in, and for the first time, not being able to fix something that was almost broken.
                 Occasionally, after I tucked her in at night, I didn’t go to my room. I slept on the other side of her bed, discussing whatever came out of her mouth. After each late night chat, we would say two prayers in Italian, and doze off into our own separate dreams. Except for one night, Gram turned over and looked at me. Tears clogged her hazel, tired eyes, “I am an old lady. I want to die.” Without saying anything, our hands intertwined and laced together like a pair of shoes, we both went to sleep.  I dug my face deep into her feather pillow; I could smell her more in her pillow than the person lying right next to me. The Gram I knew my entire life, the woman that raised me, was mentally gone.  I woke up that morning wishing I was still asleep. Those words felt like she wrote them in permanent marker around my broken heart. My superhero wanted to die; she did not want to continue conquering the world around her. And then there was me, a fifteen year old girl, sophomore in high school, trying to figure out who I really was. How could I do it without her?

 

            Weeks went by and my household became a free verse style poem. Every day, something new happened. One night Gram would be hallucinating, accusing people around her of things that never happened. The next morning, her feet would be too swollen to walk, from retaining too much water. Some afternoons her heart would be racing, causing her to find difficulty in breathing. Before I knew it, the members on the first aid squad knew my family and I on a first name basis, and their process of getting Gram onto the stretcher and into the back of the truck could have been timed and completed in less than three minutes. My walk home from the bus stop everyday was a suspense, I never knew whether or not an East Hanover First Aid Squad orange and white truck would be there to greet me or not.

Tuesday, September 24, 2013


Possible Essay Topics

1.      Moving my baby sister to college

2.      The first time I left for college

3.      The first time I tried alcohol

4.      Noticing someone hit my car

5.      Being in an abusive relationship

6.      Having to remind my grandmother who I was

 

1.      Last year, my sister was a senior in college, always there, always needing me. It never crossed my mind that before I knew it, she would be off to college, and things would never be the same. My feeling of denial was huge before she left. Weeks before the day came I felt off; I knew she was still home, but the thought of her leaving brought me to tears. The feeling I had when I moved her in, how I was proud, nervous, emotional, and excited.

 

2.      Sleepless nights before I actually moved away. The sob scenes of saying goodbye to my best friend. Saying goodbye to my parents. Feeling trapped in a small room. I would further go into my realization that living away at a college isn’t always for everyone.

 

3.      How guilty and inexperienced I felt the first time my lips touched vodka. My inexcusable actions. My naïve, immature, aspect on life, compared to how I am now.

 

 

4.      Walking out to my car realizing my neighbor crashed into it. Feeling defeated and distraught. The external injury of my car and its affect on me internally. Something I worked so hard for destroyed within seconds.

 

5.      Feeling trapped. Feeling like a puppy that had to beg for attention from her owner. Being young, naïve, and stupid.

 

6.      Having a woman who raised me wake up and forget who I was. Taking care of someone who took care of me at age 15. Continuously feeling like bad news was approaching every time the phone rang. Watching someone I loved suffer until she passed away.

 

All of these situations played/play a big part in my life, whether good or bad, little or big. With time and serious thinking, I could easily develop each one of these topics into pages worth of work. Every one of these scenarios means more to mean than just a written assignment, I could go on forever; which I feel is crucial in creative nonfiction!

Tuesday, September 17, 2013

Blog #2


One of Lott’s first points was, “Creative nonfiction is, in one form or another, for better and worse, in triumph and failure, the attempt to keep from passing altogether away the lives we have lived” (Lott 359).  To go along with Lott, I feel that creative nonfiction is a journal of your life, and also a release of built up emotions that one was never able to express. Creative nonfiction allows you to tell stories of your lives, without having any judgments or critical comments made.  Lott open ups the emotions involved with creative nonfiction.  In Frank O’Connors letter to a friend he quoted, “We are what we are, and within our limitations we have made our own efforts.” It seems that Frank is putting creative nonfiction on a entirely new level. To go along with Frank, I feel that telling your personal story through creative nonfiction has no boundaries or limits. No matter what a writer says in a creative non ficiton story or passage, nothing can ever be too extreme.

   Gutkind discusses the dramatic aspects of CNF. Gutkind also puts CNF on another spectrum, “..then and now, is the set of parameters that govern or define creative non-fiction-the concepts writers must consider while laboring in or struggling with what we call the literature of reality.. “ (Gutkind 350). Gutkind measures and challenges the amount of truth that CNF actually contains, which I do not necessarily agree with. Creative nonfiction tells a story about someone’s life experience, certain things may be dramatized, but the basis of what everyone needs  to know is true; which is the point of CNF. Gutkind addresses the characters that are discussed in ones writing. I agree that the characters one may discuss in a piece of writing, should be protected. When writing CNF, there is always that one chance that the person you are writing about could read over your work. To protect friendships, relationships, and even professional jobs, characters in writing should have some sort of protection.

 I truly enjoyed reading these articles; and looking at their beliefs and ideas of CNF. I do not necessarily feel that things were left out. However, I do not fully agree with everything Gutkind said about CNF. Although Gutkind says there are no rules when writing CNF, the article gives me other reasons to go against that.

 Definitions of creative Nonfiction are definitely changing in the light of digital publishing. The main reason is of course, blogging today. Creative nonfiction is open to the public, meaning people of all certain ages. That being said, teenagers today are blogging. In my junior field, one of the high school classes involves blogging; some students even have their own blog! It is something to consider when reading creative nonfiction blogs, who knows what really is true online? It is something that will always be thought twice about.

Sunday, September 8, 2013

Blog 1

Blog 1
 
Features of creative nonfiction 
 
  • Powerful emotions
  • Negative situations/feelings
  • First person point of view
  • Personal Struggles
  • Looking at the good and the bad as a whole
  • Sense of loneliness
  • World wide controversies
  • Insecurities
  • Relationships
  • Reality
  • Being different 
After reading and analyzing the four sample essays in the text, the "essential" features of creative nonfiction seem clear. In the four samples, each essay was told in first person point of view. While the story was being told, the speakers of each essay began their stories with a sentence that grabbed the attention of the audience. A personal situation or life struggle is essential in creative nonfiction. Whether the essay is short or long, both manage to end on a more positive note/ situation than it had started off to be. Deep emotion of the speaker and dialogue with other characters are also essential features of creative nonfiction.
 
Some features may be present while others are not. In Jo Ann Beards essay "Out There," the feature of loneliness is present. She deals with her husband of thirteen years falling out of love with her by traveling across the country for weeks, all alone. Marquart's "Some things about that day," also deals with loneliness, in the fact that the speaker is alone while going through her "procedure," and her husband is at home on the couch. However, loneliness is not a feature of Ebert's "I Think I'm Musing My  Mind." Here, life struggle and self pity are main features, but loneliness is not. The speaker may not be able to speak, but has a wife and readers that fully support him. "Some things about that day," deals with the main feature of an on going controversy in the world today; abortion. Creative Nonfiction does not always have world controversies as a essential feature.
 
Long essays differ from shorter ones in the idea that the emotion is put into step by step detail. The speakers lead up to the certain battle that he or she is going through at that specific time of their life.  The "Out There," and "Portrait of my Body," both give readers a situation/life battle, and give clear descriptions of what is going on around them; telling the readers how they feel at each moment. The short essays take you right into a specific moment. "I Think I'm Musing Myself," and "Some things about that day," both start their story right at the beginning. The short essays leave out the step by step and descriptive details and just give the readers an overall picture of a specific emotion/moment/struggle.